Inscriptions and epigrams on two icons of Greek painter Theodor Pulakis in the collection of Bohdan and Varvara Khanenko National Museum in Kyiv

Authors

  • Chernukhin Yevhen Kostiantynovych Institute of History of Ukraine of the NAS of Ukraine Автор

DOI:

https://doi.org/10.15407/rksu.21.265

Keywords:

Theodor Pulakis, iconography, Greek inscriptions, epigrams, liturgical texts, patristics

Abstract

The form and contents of Greek inscriptions and epigrams on two complex, judging from their composition, icons “From above the Prophets” and “The Second Coming” have been thoroughly analyzed. Part of them are of nominative-indicating nature and name characters, their general characteristics or places of events. The other inscriptions served as certain verbal additions to depicted persons or events. The inscriptions are written and depicted on special charts or rolls usually held by persons. Among the written texts we distinguish direct citations from the Scripture, word combinations from liturgical or patristic texts, some expressions of unknown origin and epigrams. Both icons preserve the original signatures of the painter. Special attention is given to the protective epigram on the roll held by the Archangel from the icon “From above the Prophets”, which can be compared to several other similar inscriptions on the pictures or frescoes of various artists.

Author Biography

  • Chernukhin Yevhen Kostiantynovych, Institute of History of Ukraine of the NAS of Ukraine

    кандидат філологічних наук

Published

2017-12-27

Issue

Section

Статті

How to Cite

Chernukhin Yevhen Kostiantynovych. (2017). Inscriptions and epigrams on two icons of Greek painter Theodor Pulakis in the collection of Bohdan and Varvara Khanenko National Museum in Kyiv. Manuscript and Book Heritage of Ukraine, 21, 265-282. https://doi.org/10.15407/rksu.21.265

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